1. Model Overview

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H3 is a next-generation open-weight, general-purpose multimodal video model.

H3 represents a new paradigm that moves beyond specialized task models toward general multimodal intelligence.

Rather than being limited to specialized tasks such as generating, editing, or referencing, H3 understands multimodal contexts that bring together text, images, video, and audio. This enables it to interpret creative intent in a unified way and deliver more natural, coherent generation and expression.

H3, toward more general multimodal intelligence.

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2. Model Specifications

2.1 Pricing

3. Core Capabilities

3.1 Production-Ready Content Across Commercial Use Cases

As video models become more capable, they can support a much broader range of real-world production workflows.

H3 can render text, subtitles, brand assets, UI/UX, game content, and e-commerce visuals across film, advertising, gaming, brand, and retail use cases.

Use it to explore short-form concepts, test visual directions, create more expressive product showcases, bring IP characters into new actions and settings, and support concept validation, storyboard previews, and visual pitches.

3.1.1 Brand Films & Cinematic Content

Trailers, TV commercials, and premium brand films

3.1.1.1 Vintage Binocular Brand Film

Prompt

• (Partial prompt — expand as needed)
• Use Images 1–4 as sequential keyframes, seen through a vintage binocular viewfinder searching for the MINIMAX installation. Open out of focus with subtle handheld shake, then push in quickly and rack focus onto Image 1. Between keyframes, use fast binocular-scan transitions with whip movement, motion blur, optical smearing, and brief exposure flicker. Cut at peak blur, then settle and snap back into focus. Keep the twin circular lens mask absolutely fixed throughout: identical position, scale, feathered black vignette, and edge softness, with no warping or drift. Only the image inside the mask may move.
• In Image 2, let the fabric move gently in the wind while the MINIMAX lettering follows the folds and remains legible. In Image 3, the subject should feel like a stylish passerby caught by chance, walking, turning, and swinging their arms naturally. In Image 4, the subject adjusts their glasses or lifts their chin slightly with a cool, effortless fashion-campaign attitude.
• Red typography should resolve with the focus: begin slightly blurred and at low opacity, then fade into clarity over 0.3–0.5 seconds. A subtle vertical slide or slight tracking expansion is allowed. Fade it out before the next transition or let motion blur carry it away. No spins, bounces, or large fly-ins/outs.
• Visual language: a voyeuristic, Wes Anderson-inspired 35 mm film look with fine grain, soft highlight halation, restrained color, and red typographic accents. Minimal, premium, lightly playful. Do not add people, vehicles, buildings, or logos. Preserve the core composition and the MINIMAX installation exactly.

Input

image.png

image.png

image.png

image.png

Output

[Multimodal Understanding Example 1.mp4](attachment:750d6f42-9487-458f-8b63-05e9fdc77cee:750d6f42-9487-458f-8b63-05e9fdc77cee.mp4)

Multimodal Understanding Example 1.mp4

3.1.1.2 Epic Space Opera Teaser

Prompt

• Epic theatrical space-opera teaser
• (Partial prompt — expand as needed)
• Keep the pace fast and the scale enormous without letting the edit drag. Use sharp hard cuts, a shaking command deck, white-hot flashes, split-second black frames, and a violent jump-to-warp impact. Title cards should use wide-tracked cinematic typography—not pure white—with restrained material texture, subtle illumination, and a faint edge glow. Animate the titles by emerging from deep-space shadow, catching a sweep of starlight, opening their letter spacing, leaving a slight afterimage, and flashing briefly against black.

Input

image.png

Output

[campaign film Movie 1.mp4](attachment:6de2e13b-944f-423a-9190-e12b5cdb71b9:6de2e13b-944f-423a-9190-e12b5cdb71b9.mp4)

campaign film Movie 1.mp4