Watercolour Pad A6 — Product Description

The Pigmenta Series Watercolour Pad in A6 is for painters who work outside the studio. Small enough to keep in a coat pocket, ready for whenever a scene catches your eye.

The paper is 300gsm with 25% cotton, the same fibre found in fine-art paper, which means it holds wash after wash without buckling and lets colours settle the way they should. The surface has a soft grain that grips paint nicely, and both sides work equally well, so you can turn a sheet over if you're not happy and start again. It takes brush-washes and gentle scratching, so you can lift colour or bring back a highlight without the surface pilling. Because it's acid-free and mould-resistant, your work stays true for decades.

15 sheets per pad, Made in Italy, home to some of the oldest fine-art paper mills in the world.


Watercolour Pad A5 — Product Description

The Pigmenta Series Watercolour Pad in A5 is for painters who paint often. The everyday size, right for daily studies, weekend work, or keeping a watercolour journal.

The paper is 300gsm with 25% cotton, the same fibre found in fine-art paper, which means it holds wash after wash without buckling and lets colours settle the way they should. The surface has a soft grain that grips paint nicely, and both sides work equally well, so you can turn a sheet over if you're not happy and start again. It takes brush-washes and gentle scratching, so you can lift colour or bring back a highlight without the surface pilling. Because it's acid-free and mould-resistant, your work stays true for decades.

15 sheets per pad, made in Italy, home to some of the oldest fine-art paper mills in the world.


Watercolour Pad A4 — Product Description

The Pigmenta Series Watercolour Pad in A4 is for painters working on finished pieces. Room to let colour and composition breathe, for larger work or anything you'll want to frame.

The paper is 300gsm with 25% cotton, the same fibre found in fine-art paper, which means it holds wash after wash without buckling and lets colours settle the way they should. The surface has a soft grain that grips paint nicely, and both sides work equally well, so you can turn a sheet over if you're not happy and start again. It takes brush-washes and gentle scratching, so you can lift colour or bring back a highlight without the surface pilling. Because it's acid-free and mould-resistant, your work stays true for decades.

15 sheets per pad, made in Italy, home to some of the oldest fine-art paper mills in the world.