The Pigmenta Series Watercolour Wiro in A6 is for painters who like to build a small book of studies as they travel. Pocket-sized, ready when a scene or the light catches your eye.
The paper is 300gsm with 25% cotton, the same fibre found in fine-art paper, which means it holds wash after wash without buckling and lets colours settle the way they should. The surface has a soft grain that grips paint nicely, and both sides of every page work equally well, so if you're not happy with one side you can flip it over and start again. It takes brush-washes and gentle scratching, so you can lift colour or bring back a highlight without the surface pilling. Because it's acid-free and mould-resistant, your work stays true for decades.
Wiro-bound at the top, so it lies completely flat as you paint and works the same whether you're left or right-handed. Inside are 15 sheets of paper made in Italy, home to some of the oldest fine-art paper mills in the world.
The Pigmenta Series Watercolour Wiro in A5 is for painters who want a proper watercolour journal. The everyday size, right for daily studies, weekend work, or building up a body of practice.
The paper is 300gsm with 25% cotton, the same fibre found in fine-art paper, which means it holds wash after wash without buckling and lets colours settle the way they should. The surface has a soft grain that grips paint nicely, and both sides of every page work equally well, so if you're not happy with one side you can flip it over and start again. It takes brush-washes and gentle scratching, so you can lift colour or bring back a highlight without the surface pilling. Because it's acid-free and mould-resistant, your work stays true for decades.
Wiro-bound at the top, so it lies completely flat as you paint and works the same whether you're left or right-handed. Inside are 15 sheets of paper made in Italy, home to some of the oldest fine-art paper mills in the world.
The Pigmenta Series Watercolour Wiro in A4 is for painters working on larger pieces who want them all kept together. Room to let colour and composition breathe, for finished work or extended studies.
The paper is 300gsm with 25% cotton, the same fibre found in fine-art paper, which means it holds wash after wash without buckling and lets colours settle the way they should. The surface has a soft grain that grips paint nicely, and both sides of every page work equally well, so if you're not happy with one side you can flip it over and start again. It takes brush-washes and gentle scratching, so you can lift colour or bring back a highlight without the surface pilling. Because it's acid-free and mould-resistant, your work stays true for decades.
Wiro-bound at the top, so it lies completely flat as you paint and works the same whether you're left or right-handed. Inside are 15 sheets of paper made in Italy, home to some of the oldest fine-art paper mills in the world.