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What is Practical Criticism:
A method of analyzing poetry by looking only at the words on the page.
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Core principles of Practical Criticism:
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What Practical Criticism rejects:
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Introducing Literary Criticism A Graphic - Owen Holland 2015
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Why Practical Criticism (its aims):
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Richard’s Experiment:
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4 kinds of meaning according to IA Richards:
In poetry, Feeling and Tone are more important than Sense. Poets distort facts to create emotions.
| Function | What It Is | Example |
|---|---|---|
| Sense | Literal meaning (what it says) | "The sky is blue" |
| Feeling | Emotion toward the subject | Poet feels peaceful about the sky |
| Tone | Attitude toward the reader | Speaking gently, like to a friend |
| Intention | The purpose (what poet wants) | To make you feel calm too |
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"Most of the statements in poetry are there as a means to the manipulation and expression of feelings and attitudes." (IA Richards)
| Scientific Language | Poetic Language |
|---|---|
| Purpose is to state facts clearly | Purpose is to evoke feelings and attitudes |
| Sense is MOST important | Sense serves Feeling and Tone |
| Distortion of facts = Failure | Distortion of facts = Allowed (if it serves the emotion) |
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| Group | # | Difficulty | Simple Explanation |
|---|---|---|---|
| 1. Text Basics*(Problems with the words)* | 1 | Plain Sense | Failing to understand the basic, literal meaning of the words on the page |
| 2 | Sensuous Apprehension | Missing the rhythm, sound, meter, and movement of the language | |
| 3 | Imagery | Misinterpreting the mental pictures or visuals the poem creates | |
| 2. Personal Baggage*(Bringing yourself into it)* | 4 | Mnemonic Irrelevances | Getting distracted by personal memories triggered by a word ("this reminds me of...") |
| 5 | Stock Responses | Reacting with a pre-existing cliché or stereotype instead of a genuine feeling | |
| 8 | Doctrinal Adhesions | Letting your personal beliefs (religion, politics, morality) block your appreciation | |
| 3. Emotional Balance*(Feeling the wrong amount)* | 6 | Sentimentality | Being over-emotional or crying when the poem doesn't justify that level of feeling |
| 7 | Inhibition | Being under-emotional or too "hard" to feel anything the poem offers | |
| 4. Preconceived Notions*(Judging by fixed rules)* | 9 | Technical Presuppositions | Judging by rigid rules ("poems MUST rhyme" or "MUST be in this format") |
| 10 | General Critical Preconceptions | Having fixed theories about what art "should be" that block new experiences | |
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